A pair of Gothic novelists trade rivalry for love in this swoony, steamy, sapphic Regency by USA Today bestselling author Alexandra Vasti.

Celebrated authoress Lady Georgiana Cleeve has achieved fame and fortune. Unfortunately, she’s also acquired an the enigmatic Lady Darling, whose spine-tingling plots appear to be pulled straight from Georgiana’s own manuscripts. What’s a stubborn, steely writer to do? Unmask her rival, of course.

But unmasking doesn’t go according to plan—because Lady Darling is actually Cat Lacey, the butler’s daughter and object of Georgiana’s very secret, very embarrassing teenage infatuation.

Cat Lacey has spent a decade clawing her family out of poverty. The last thing she needs is to be distracted by the stunning(ly pretentious) Lady Georgiana Cleeve. But Cat can’t seem to escape her infuriatingly beautiful rival—including at the eerie manor where they both plan to set their next books. The plot unexpectedly thickens, however, when the novelists find themselves trapped in the manor together. In between ghostly moans and spectral staff, Cat and Georgiana come face-to-face with real the scorching passion that’s been haunting their rivalry all along.

“This isn’t London. The rules are different up here…”

All Detective Constable Peter Grant wanted was a nice holiday up in Scotland.
He’ll need one once this is over…

check.
some.
sort of – but that’s not the only thing in the sky…

A swoony second-chance romance where facing the one who broke your heart could be the thing that makes your dream come true.

Twenty-five-year-old Paige Lancaster is one contract away from earning a living doing her favorite thing in the world: writing songs. But when a music industry professional suggests she might be holding back with her lyrics to lessen the heartbreak of an old flame, Paige doubts if her music is ready to be heard.

In a rare, impulsive move, Paige contacts Liam Bishop after four years of no contact to ask him for a small favor: date her, and then re-break her heart, all so she can remember what those big, songworthy emotions felt like. And since Liam is the one who first set Paige on this career path, he hesitantly agrees.

Across three months of Liam’s summer work travel, the exes are forced to share hotel beds, rehash the past, and date in the present, all while navigating the building attraction between them they both swore was the one line of their agreement they wouldn’t cross.

But when it becomes near impossible not to act on their rippling chemistry, and as ever intensifying feelings blur the lines of what’s actually real and what’s driven by the music, Paige and Liam will both have to decide what’s more important: art for the sake of it, or love over everything.

Playing Daughter of the Duke’s Super Love Project as the easy mode heroine, Ivonne, makes charming the male characters a breeze. But once you switch to hard mode and step into the shoes of Penelope, the misunderstood villain, it’s nearly impossible to even stay alive! So imagine the shock of suddenly waking up in Penelope’s body—you know right away that your life is on the line. With love interests who will kill you if their affection meters drop too low and the inability to speak without choosing from pre-selected dialogue, it quickly becomes clear that Penelope’s chances have been rigged from the start—and this villain might just be destined to die!

From rare book dealer and guest star of the hit show Pawn Stars, a page-turning literary adventure that introduces readers to the women writers who inspired Jane Austen—and investigates why their books have disappeared from our shelves.

Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more.

But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work. Every character in Northanger Abbey who isn’t a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase “pride and prejudice” came from Frances Burney’s second novel Cecilia. The women that populated Jane Austen’s bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn’t Romney—despite her training—ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon?

Jane Austen’s Bookshelf investigates the disappearance of Austen’s heroes—women writers who were erased from the Western canon—to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth—and recounts Romney’s experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen’s. Romney collects the once-famed works of these forgotten writers, physically recreating Austen’s bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen’s Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.

Acclaimed by critics and readers on its first publication in 1987, winner of the Locus Award for Best First Novel, Emma Bull’s War for the Oaks is one of the novels that has defined modern urban fantasy.

Eddi McCandry sings rock and roll. But her boyfriend just dumped her, her band just broke up, and life could hardly be worse. Then, walking home through downtown Minneapolis on a dark night, she finds herself drafted into an invisible war between the faerie folk. Now, more than her own survival is at risk—and her own preferences, musical and personal, are very much beside the point.

By turns tough and lyrical, fabulous and down-to-earth, War for the Oaks is a fantasy novel that’s as much about this world as about the other one. It’s about real love and loyalty, about real music and musicians, about false glamour and true art. It will change the way you hear and see your own daily life.

A murder in the science lab shatters a woman’s quiet and ordered life when she decides she must solve the crime herself in this entertaining and uplifting mystery.

Plenty of people consider Margaret Finch odd. Six-feet-tall and big-boned, she lives alone in a small cabin in the woods, drives a 20-year-old truck, and schedules her life so precisely you can tell the time and day of the week by the chore she is doing and what she is wearing.  But the same attributes that cause her to be labeled eccentric—an obsessive attention to detail and the ability to organize almost anything—make her invaluable in her job as Research Assistant II to a talented and charismatic botanist.

It’s those very same qualities, however, that also turn Margaret into a target after a surprising death shakes the small university where she works. Even as authorities claim the death appears to be from natural causes, Margaret fears it might be something a murder born of jealousy and dark secrets. With the aid of a newly hired and enigmatic night custodian, Margaret finds herself thrust into the role of detective, forcing her to consider that she may not be able to find the killer before the killer finds her.

With a cast of quirky and likeable characters that one won’t soon forget, The Botanist’s Assistant is a delightful story of perseverance and the power in all of us to survive.

They call him the bone king.

A massive, beast of a male who worships the gods and is all too willing to provide them their sacrifices. Human sacrifices. He and his warriors have come to visit Winterbren, a poor little village on the outskirts of Wrath and my home.

I’ve never been more grateful to be a thrall, for my low status will ensure that I remain outside of his notice. But when he requests — nay, requires — a willing female to warm his furs for the duration of his stay, his selection falls to me. All I can do is pray to the gods that I survive the night…

And beg the bone king for mercy.

This book contains dark themes, including a Black woman in the position of thrall, graphic depictions of torture, non-con, and discussions of early childhood abuse. A full list of warnings can be found on my website.

“Heart-searing, sensual, and life affirming.” ―EMILY HENRY, #1 New York Times bestselling author

Soledad Barnes has her life all planned out. Because, of course, she does. She plans everything. She designs everything. She fixes everything. She’s a domestic goddess who’s never met a party she couldn’t host or a charge she couldn’t lead. The one with all the answers and the perfect vinaigrette for that summer salad. But none of her varied talents can save her when catastrophe strikes, and the life she built with the man who was supposed to be her forever, goes poof in a cloud of betrayal and disillusion.

But there is no time to pout or sulk, or even grieve the life she lost. She’s too busy keeping a roof over her daughters’ heads and food on the table. And in the process of saving them all, Soledad rediscovers herself. From the ashes of a life burned to the ground, something bold and new can rise.

But then an unlikely man enters the picture—the forbidden one, the one she shouldn’t want but can’t seem to resist. She’s lost it all before and refuses to repeat her mistakes. Can she trust him? Can she trust herself?

After all she’s lost . . .and found . . .can she be brave enough to make room for what could be?

For fans of Tia Williams and Colleen Hoover comes a deeply moving and personal novel about sacrifice, self-reliance, and finding true happiness from “one of the finest romance writers of our age.” ―Entertainment Weekly

Lydia Wraxhall is on her best behavior every day of the year—except one: the annual Bickerton Christmas Poultry Show. On that day she brushes her birds, sharpens her tongue, and engages in the closest thing the village knows to war.

Harriet Boyne is a soldier’s widow reeling from the worst years of her life. She and her friends have inherited a manor on the village outskirts, and Harriet is looking forward to a quiet holiday far from the anguish of the battlefield.

But a dispute over a flock of loose chickens — a rare local breed, which Lydia thinks could be champions and Harriet thinks could be delicious — draws Harriet into the competition under Lydia’s grudging guidance. Harriet’s frozen heart is thawed by Lydia’s gentleness, and lonely Lydia blossoms under Harriet’s keen regard. But the day of the poultry show is fast approaching, and everyone’s drawing up battle lines. And in the contest between secret love and public glory, there can only be one winner.

Sparks fly between Nicola Albright KC and Geeta Sachdeva, but not the good kind. They’re the sort that leave small fires, devastation, and everyone peeping between their fingers at arrogant lawyer, Nicola, on one side, and everyone’s favourite mum, Geeta, on the other.

Yet when both are divorced and at a new stage in life, they find themselves living within glowering distance of each other, in beautiful Iffley Village, Oxford. Reluctantly they call a truce and try to make friends. It’s tricky though, when there’s more than one reason they’ve circled and snapped for years.

For a start, Geeta’s lawyer daughter, Olivia, idolises the eminent King’s Counsel barrister, to eye rolls from Geeta. And to Nicola’s annoyance, her own daughter, Charlotte, has always turned to perfect mama Geeta for comfort and understanding. Animosity between the two is a given.

Until they force themselves to be nice to each other, that is, and then they’re compelled to question everything…