Ha ha ha, you know me so well! :-D
Okay, I'll try my best not to self-deprecate.
One thing that turned out pretty well is the slipped focus/blurs I used in the Kings vid I made a couple years ago for Festivids, Monsters. I'd wanted to try to mimic a style I'd seen in a music video, but I realized really quickly that I couldn't really do what I'd seen, I didn't really have the tools and the type of footage, nor the technical skills, so I thought I'd try to sub in something that wasn't quite the blurred, oversaturated thing they were doing but was at least a little blurry. The first test clip I used it on worked really well, I thought, and so did a friend, and so I experimented on using it in different moments, different types of spots where I thought it showed Jack's messed up head. Overall I think it went really well and added an extra layer to his struggle in that vid.
Another editing choice I made that I really ended up liking was the way the helicopter sounds of the spoken word stream of consciousness stuff in the middle meshed with the clip of Steve being arrested after discovering Bucky's alive in Orange Crush. I knew the song would be a perfect backdrop for parallels in Steve and Bucky's stories, but once I was trying to figure out what the hell Michael Stipe was actually saying there, I had the epiphany that I didn't need to worry about what he was saying that much--I didn't need to find any good clips to match because I had a helicopter! And the entire sequence of Steve and Sam and Nat being taken down on the bridge fit perfectly there, plus, I had a helo! I still just love how that turned out.
And actually, I'm still really pleased with a lot of the editing choices I made in that vid (the way I dissolved from war-era Steve and Bucky to their modern versions, the shots for the orange crush, the aforementioned parallels), but one of the others that meant the most to me was how I introduced Bucky's section, because it's the same feeling I had with Hallo Spaceboy when I introduced Bucky's section in that. In OC, there are these sharp cracks, I think drumsticks hitting together? and in between scenes with Steve I put shots of Winter Soldier Bucky on those cracking notes, really fast, almost subliminal, and I really loved that. It's not quite the same thing, but in Spaceboy I was using space scenes from Contact, and there was this green space gas clip that ended up being perfect for introducing Bucky.
Cesperanza had suggested a clip there and I'd misremembered what she'd said, so I laid in that green space clip with the wrong Bucky clip to introduce his section of the vid, and when I sent it to her she was all "It's great! I love it!" but I was all OOPS NO I DID THAT WRONG. So I put the original clip she'd wanted and dissolved to the green space gas and then to Bucky's close up where he's trying to figure out what these memories are that are assaulting him. I told her, when I sent the corrected version, how much I liked it because it was pinging my synesthesia--there's a blurred green streetlight behind Bucky that melds with the green space that melds with the greenish tint to the room around Bucky's face, and we both were doing the text equivalent of jumping up and down and squealing. I still can watch that two seconds of vid over and over. ;-D