Movies you may not have seen #4
May. 4th, 2005 08:55 amContinuing my happy movie and must post about something besides my awful life theme, I thought I'd go for a movie that was a huge hit at Sundance a few years ago, but that ended up being a critical and box office disappointment, for reasons I've never understood because I adored it: Happy, Texas. The movie is often used these days as a touch point for discussions about the distribution bidding wars and how the big hits at festivals don't pan out, and while it's not a perfect movie by any stretch, it's still a much better movie than critics gave it credit for being.
It's a comedy about two prisoners (Jeremy Northam and the ubiquitous Steve Zahn) who escape from a road gang and steal an RV belonging, they find out later, to two children's pageant coordinators who were on their way to Happy, Texas to beef up the skills of the town's little girls competing for the Little Miss Fresh-Squeezed title. Everyone in town assumes they're the (very odd) pageant boys, which allows Northam, who's a bank robber and con man, and Zahn, who's basically just a violent career criminal with few brain cells to rub together (with the sublime name of Wayne Wayne Jr.), to stay there a while and plan to rob the local bank. The problem is that Northam falls in love with the banker, played by Ally Walker from Profiler, under the guise of being her new gay best friend, and Zahn starts to really get into his role as pageant expert, while also falling for the previous pageant guide, played by the always great Illeana Douglas. Worse, the town sheriff, played note-perfectly by William H. Macy, falls in love with Northam's character, thinking of course that he's gay, and on the outs with his "partner."
While there's a lot of the usual stereotyping and the final action set piece goes on way too long, what I loved about the movie was that it got to the heart of what makes people fall in love with other people, what makes people want to stay in one place or be with one person, and how you can never predict what will touch your heart. Zahn is hilarious when he's struggling with the fact that he's really falling for the little girls he gets stuck with teaching; he has a monologue while using a sewing machine, as he rips into Northam for abandoning him, that almost made me pee my pants with laughter, because he gets so worked up about his girls, especially the one with the flaming baton who he's afraid will set herself on fire "like one of them Buddhist monks." And Northam is really touching to watch as a heartless con artist who slowly discovers his heart -- his scenes with Macy are especially wonderful. Everything with Macy's quietly gay and lonely sheriff is a great antidote to the stereotypes, so that by the end, all the stereotypes get kind of subverted. Ron Perlman has a great small role as a Texas Ranger whose admiration for Macy's "big-dicked" lawman turns into something else altogether by the end.
I think these days any comedy will get trounced by the critics, especially one like this that was a huge audience-pleaser at a festival like Sundance. But just because it's not perfect doesn't mean it's not also a) funny and b) well-done and c) features outstanding performances by some of the best indie film people in the business. And to me, those are pretty important to making a comedy successful -- when
feochadn and I saw it in the theatre, it was a small crowd, but I remember the two of us, and the rest of the audience, laughing our asses off, and I think nothing could be higher praise for a movie. If for no other reason, it's worth watching for Zahn's sewing machine monologue, but I also think the sweet love stories, and the final little tender surprise with Macy's character (not to mention the scene where he drives around crying), make it definitely worth a rental.
It's a comedy about two prisoners (Jeremy Northam and the ubiquitous Steve Zahn) who escape from a road gang and steal an RV belonging, they find out later, to two children's pageant coordinators who were on their way to Happy, Texas to beef up the skills of the town's little girls competing for the Little Miss Fresh-Squeezed title. Everyone in town assumes they're the (very odd) pageant boys, which allows Northam, who's a bank robber and con man, and Zahn, who's basically just a violent career criminal with few brain cells to rub together (with the sublime name of Wayne Wayne Jr.), to stay there a while and plan to rob the local bank. The problem is that Northam falls in love with the banker, played by Ally Walker from Profiler, under the guise of being her new gay best friend, and Zahn starts to really get into his role as pageant expert, while also falling for the previous pageant guide, played by the always great Illeana Douglas. Worse, the town sheriff, played note-perfectly by William H. Macy, falls in love with Northam's character, thinking of course that he's gay, and on the outs with his "partner."
While there's a lot of the usual stereotyping and the final action set piece goes on way too long, what I loved about the movie was that it got to the heart of what makes people fall in love with other people, what makes people want to stay in one place or be with one person, and how you can never predict what will touch your heart. Zahn is hilarious when he's struggling with the fact that he's really falling for the little girls he gets stuck with teaching; he has a monologue while using a sewing machine, as he rips into Northam for abandoning him, that almost made me pee my pants with laughter, because he gets so worked up about his girls, especially the one with the flaming baton who he's afraid will set herself on fire "like one of them Buddhist monks." And Northam is really touching to watch as a heartless con artist who slowly discovers his heart -- his scenes with Macy are especially wonderful. Everything with Macy's quietly gay and lonely sheriff is a great antidote to the stereotypes, so that by the end, all the stereotypes get kind of subverted. Ron Perlman has a great small role as a Texas Ranger whose admiration for Macy's "big-dicked" lawman turns into something else altogether by the end.
I think these days any comedy will get trounced by the critics, especially one like this that was a huge audience-pleaser at a festival like Sundance. But just because it's not perfect doesn't mean it's not also a) funny and b) well-done and c) features outstanding performances by some of the best indie film people in the business. And to me, those are pretty important to making a comedy successful -- when
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Date: 2005-05-04 06:26 pm (UTC)The movie is often used these days as a touch point for discussions about the ditribution bidding wars and how the big hits at festivals don't pan out
And yet? That was the same year The Blair Witch Project was a hit at Sundance and became one of the highest-grossing indies (sorry, I don't count mega-million-dollar Passion of the Christ) ever produced. So, I guess I don't really see that as a valid reason for ragging on a wonderful flick like Happy, Texas.
Six years later, I'm still baffled by the reception HT received outside Sundance. As you said, it's a funny, sweet, charming film, with fabulous performances, and I love it to pieces. I remember it didn't get distributed very widely around here, so maybe that was part of the problem. I'll just never understand the moviegoing public, or critics, for that matter. How craptastic movies like Dodgeball are huge hits while HT gets ignored... pfffftttt.
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Date: 2005-05-04 09:39 pm (UTC)And yes, Zahn's sewing maching monologue is priceless.
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Date: 2005-05-04 09:57 pm (UTC)no subject
Date: 2005-05-05 01:22 am (UTC)And the sewing machine! Hahaha, what a great scene.
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